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Book publicity frequently is an exercise in the art (or artifice) of puffery. So, when a book is described as a “genre-busting” work, I tend to approach it with a bit of caution. Generally, though that term is a fair description of The Universe in Miniature in Miniature, Patrick Somerville’s collection of short stories. Some […]
Some writers end up being put in a box because their style and subjects seem to forever place them in a particular category or genre. Paul Auster usually ends up in the box labeled “Postmodernist.” Yet the more Auster I read, the more convinced I am that he ends up with that label because his […]
Whether cast in terms of manifest destiny or, more crudely, “the Indian problem,” at its core the conflict between white and Native Americans was a clash of cultures. While not necessarily the centerpiece, Dakota Territory was frequently a stage upon which it played out. Despite the fact it focuses on a narrow slice of the […]
Given American popular literature today, perhaps a person first seeing Vasily Grossman’s The Road on the bookshelves could be excused if they first wonder if it is vampire or zombie-laden mashup of Cormac McCarthy’s award-winning novel of the same name. Yet readers who actually pick up the book and explore it will discern that this […]
Years ago the professor in my political ideologies class laid out a view of the political spectrum that I’ve never forgotten. It does not, he said, resemble a line with a far left, a far right and a center. Instead, it is a nearly closed circle where the extremes of the spectrum are turning back […]
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