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Shifting political tides are frequent and cyclical enough that they’ve earned their own label — pendulum politics. One party and its policies are in. The pendulum swings and another party and its policies dominate. Rarely, though, does the pendulum swing as much as the scenario in which Ken MacLeod plots Night Sessions, the winner of […]
Although the seeds were planted earlier, dystopian literature has flourished in 20th century nutrients — the rise of fascism, ideological conflicts, global industrialization, and seemingly limitless advances in technology. Pessimism isn’t a prerequisite to realize there is a potentially detrimental synergy in the coalescence of these changes. It undoubtedly provides plenty of opportunity to envision […]
You’re likely to get an odd look when someone asks what you’re reading and you tell them it’s the “new” Jules Verne novel. After all, Verne died 106 years ago and all of his work has been published. Yet therein is a tale itself.
The Secret of Wilhelm Storitz is a novel Verne hoped would […]
Dystopian literature stems from no particular geographic boundaries. Aldous Huxley and George Orwell were British, Margaret Atwood is Canadian, Philip K. Dick and Kurt Vonnegut were American. Thus, while Ana María Shua sets Death as a Side Effect in her native Argentina, the conditions that beset that future society are perhaps universally possible.
Survival is […]
Book publicity frequently is an exercise in the art (or artifice) of puffery. So, when a book is described as a “genre-busting” work, I tend to approach it with a bit of caution. Generally, though that term is a fair description of The Universe in Miniature in Miniature, Patrick Somerville’s collection of short stories. Some […]
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